NOIRE

The title refers to the disappearance of the ‘real body’ in favor of the ‘body of the spectacle’: from the Glorified Body – the body of awareness, of rebellion, of otherness – to the Contemporary Body – intended on the one hand as the body of our spectacle-based society, and on the other in its most poetic forms of exodus, of work, of the silent multitude.

Silt is an exhibition of new work by artist Nika Neelova examining our cultural and physical relationship to water.

The New Art Centre has just recently announced  One of Many Fragments – an exhibition of work by Edward Allington and his former student at Slade School of Fine Art in London, Nika Neelova.

The latest artist book by Peter Wuthrich produced by Noire Edition is now available for purchase.

The latest artist book by Sarah Morris produced by Noire Edition is now available for purchase.

Discover an in depth feature of artist Nika Neelova and her artworks through the latest studio visit with OpenLab Art.

The new special release “Mal di Stomaco” by Woc is now available! The unique works will be showcased for one week at Noire Gallery. Explore the artworks online in our Noire Viewroom

On friday January 29 2021,  Mel Bochner was in conversation with art historian and former Magazzino Scholar-in-Residence Tenley Bick (Assistant Professor of Global Contemporary Art, Florida State University) as they discussed the “odd resonances” Bochner found between his work, American art, and Italian art of the 1960s and 1970s that are captured in Bochner, Boetti, Fontana as well as Bochner’s new artist book Language Is Not Transparent (Babble), Noireditore, 2020.

We are happy to announce that our latest edition with Mel Bochner – Language is Not Transparent (Babble) will now also be available for purchase on Printed Matter Inc.

8 Ball Community on the occasion of the historical election that will define the U.S. has collaborated with Cali Thornhill Dewitt and IUTER to produce a special election shirt to fight against voter suppression. 

“Promemoria” the latest artist book by Giulio Paolini produced by Noire Edition features in his latest exhibition at Castello di Rivoli “Le Chef-d’oeuvre inconnu”. A personal retrospective, closely developped with the artist, aimed at showcasing an original walk-through on more than sixty years of Paolini’s work.

This fall, Magazzino Italian Art opens a special exhibition examining the formal, conceptual, and procedural affinities in the work of Mel Bochner, Alighiero Boetti, and Lucio Fontana. Curated by Bochner in collaboration with Magazzino, the exhibition marks the first presentation to consider the American artist’s extensive, yet overlooked, engagement with the practices of Fontana and Boetti, as well as with Italian art at large.

MaXXI L’Aquila, an outpost of MaXXI in Rome (Italy’s national museum of 21st century art and architecture), is set to open in the central Italian city of L’Aquila on 30 October

Artists Marina Abramovic, Sigalit Landau, Shirin Neshat & Katharina Sieverding have been politicized by experiences with war, violence and suppression and integrated them into their work, using the most personal feature available: their own bodies. The film accompanies them on an emotional journey, reexperiencing the conflicts that have shaped their consciousness.

Tang Contemporary Art presents What Came to Pass, an exhibition for artists group AES+F, at Tang Contemporary Art’s 1^st Gallery Space in Beijing on May 20, 2020. For their first solo exhibition in China in a decade, titled What Came to Pass, the artists present two projects consisting of large scale video installations and digital collages—Allegoria Sacra (2011-2013) and Inverso Mundus (2015-2017).

762 meters above sea level in Serravalle Langhe is where David Tremlett has completed his latest work. It was named Per le Langhe, to underline the intense relationship that binds the English artist with the Piedmont hills.

PUSH THE LIMITS is a project that investigates how art takes itself to the limit to move the horizon of thinking, perception and speech ever further in order to introduce new elements; to say yes or no when “normality” falters; to highlight what is proposed in the present and to prevent a situation of merely treading water.

Six years after Carla Accardi’s death, Il Museo del Novecento presents her first monographic exhibition in a public institution.