NOIRE

Element is pleased to present Social Boom, Woc’s latest exhibition project, created for the gallery spaces and on show through July 14, 2020, vistable by appointment.

Noire Gallery is delighted to announce the collaboration with American artist Mel Bochner with the site-specific project Meditation on the Theorem of Pythagoras (1972-1991) which will be presented at the Chapel of San Sebastiano, a location that represents the artistic tradition of Noire Gallery.

We are delighted to announce the second solo show by David Tremlett at Noire Gallery, displaying sixty-three works by the artist, realised with colourful pastels, illuminating and filling the gallery walls with colour, so reinterpreting the space.

Element is pleased to announce “So indolent so sneaky”, a two-person show featuring works by Swiss artist Valentin Carron and Tokyo-based Norwegian artist Gardar Eide Einarsson, curated by Domenico de Chirico.

Carte Noire documents the intense publishing work by Noire Edition: refined artist books, drawings and manifold prints.

Paolo Icaro opens the expositive season in Turin with two shows: a major retrospective at the GAM-Galleria Civica d’Arte Moderna e Contemporanea and SCOSE (UNTHINGS), a solo exhibition specifically realised for the Noire Gallery spaces.

Noire Edition, always focused on the interdisciplinary nature that characterizes the contemporary culture and on enhancing the territory, is pleased to host in its venue in Via Piossasco, ALFABETA – Strutture-Scritture: Spazio Tempo Architettura.

On occasion of the 400 years of Relais San Maurizio, British Artist David Tremlett created the site-specific project “Wall Drawing in Pastel for Open Space San Maurizio”

After over forty years of friendship and professional collaborations between Giulio Paolini and Marco Noire, the artist presents his latest book Promemoria (2017) at Noire Gallery, together with a selection of works purposefully selected for the exhibition.

Inspired by a multidisciplinary research on the artefacts that compose the surrounding world and using pre-existing and imaginary stories, Neelova’s installations are often made out of architectural elements taken from everyday places.